[lusyr] Download Zanna fonts from Valentino Vergan

Zanna

Introducing “Zanna” – A brand new modern “high-contrast” beautiful Ligature Typeface.

Zanna is a stylish modern and elegant serif, with a high contrast and creative ligatures. Zanna was inspired by the famous “Didot” font, which gives it a sense of style and fashion with a touch of sophistication. Zanna also has a very thin hairlines and short non-bracketed serifs, which makes its classy and chic. The font comes in two styles Regular and Stencil, each style has an oblique version.

Zanna was built with OpenType features and includes ligatures, alternates, multilingual support, numbers and punctuation. To access the large selection of ligatures and alternate letters, just select the ligatures or alternate letters from the glyph panel.

Zannas elegant design makes it a very versatile font, covering a wide range project such as: fashion design, brochures, magazines, logo, branding, poster design, Instagram templates, videos, wedding invitations, quotes, blog header, poster, social media, advertisements and much more.

If you a looking for something modern, stylish and chic for you next project, Zanna is the font for you.

What you get:

Zanna Regular.otf

Zanna Stencil.otf

Zanna Regular oblique.otf

Zanna Stencil oblique.otf

Zanna includes a full set of:

Uppercase and lowercase letters.

Numerals.

Punctuation.

Ligatures.

Alternates.

Small Caps.

Multilingual symbols.

Here is a short list of some of the unique ligatures:

Lowercase ligatures

ab æ ah ai ak am an ar ca cb ch cm cn cr eb eh em en er fb ﬀ fj fh ﬁ ﬂ ft ﬃ ﬄ gi ib ih ik il it jj ob oe oh ok om on oo or os tb th tm tn tr tt ra rt st ub ui uk uh un um ur

Uppercase ligatures

AA AE AF AH AK AL AP AR CC EA EF EM EN ER EV EW FE FF HE KA MB MD ME MM MP NN OB OE OC OD OF OH OK OL OO OR PB PD PE PF PH PK PL PP TE TF TT VB VD VZ ZA

We hope you enjoy using the Zanna Font.

ZannaDownload NowView Gallery

Download TT Marxiana Fonts Family From TypeType

Download Now Server 1 Download Now Server 3 Download Now Server 2 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set

Download Hawkes Fonts Family From Kimmy Design

Download Hawkes Fonts Family From Kimmy Design Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small cap

Download Stadtmitte Fonts Family From Letritas

Download Now Server 1 Download Now Server 3 Download Now Server 2 Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm. By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage. Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights. T

Bella Yudina

Search This Blog