Skip to main content

Captura Now fonts from Anita Jürgeleit - (tfjlz)

Captura Now
Captura Now Captura NowCaptura Now



Captura Now supports you create your next award-winning typographic experience.

Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura Now its warm-hearted face, perfect in form and shape. Expanded with an enormous character set, Captura Now offers the freedom to transform your design into the Cyrillic-language world, as well as into any Latin based language — including Vietnamese.

Select one of the predefined styles or choose to continuously adjust the weights using the brand new variable font technology*. Numerous OpenType-features such as stylistic alternates, small caps, circled arrows, slashed zero and many more, have been implemented to simplify your work process.

1160 Glyphs | 18 Styles | 8 Weights + Italics | 2 Variable Fonts

Open Type Features:

Access All Alternates, Localized Forms, Subscript, Scientific Inferiors, Superscript, Numerators, Denominators, Fractions, Ordinals, Proportional Figures, Tabular Figures, Small Capitals From Capitals, Small Capitals, Ligatures, Slashed Zero, Stylistic Alternates

Captura Now supports 256 Languages — extended Latin incl. Vietnamese; Cyrillic incl. local forms:

Abaza, Abenaki, Adyghe, Afaan Oromo, Afar, Afrikaans, Agul, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Avar, Aymara, Azerbaijani, Balkar, Bashkir (Latin), Basque, Belarusian (Latin + Cyrillic), Bemba, Bikol, Bislama, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chechen, Chichewa, Chickasaw, Chukchi, Chuvash, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin + Cyrillic), Croatian, Czech, Danish, Dargin, Dawan, Delaware, Dholuo, Drehu, Dungan, Dutch, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Ingush, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kabardian, Kaingang, Kala Lagaw Ya, Kalmyk, Karachay, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin + Cyrillic), Karelian (Latin), Kashubian, Kazakh, Khinalugh, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Komi, Kumyk, Kurdish (Latin), Kyrgyz, Ladin, Lak, Latin, Latino sine Flexione, Latvian, Lezgian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moksha, Moldovan, Mongolian, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Nanai, Neapolitan, Ngiyambaa, Niuean, Nogai, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Russian, Rusyn, Rutul, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin + Cyrillic), Seri.

*Variable fonts work well in software that supports variable font technology.





Popular posts from this blog

Download TT Marxiana Fonts Family From TypeType

Download Now Server 1 Download Now Server 3 Download Now Server 2 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set

Download Hawkes Fonts Family From Kimmy Design

Download Hawkes Fonts Family From Kimmy Design Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small cap

Download Stadtmitte Fonts Family From Letritas

Download Now Server 1 Download Now Server 3 Download Now Server 2 Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm. By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage. Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights. T