Skip to main content

Download Syphon Fonts Family From Indian Type Foundry

Download Syphon Fonts Family From Indian Type Foundry
Download Syphon Fonts Family From Indian Type Foundry Download Syphon Fonts Family From Indian Type FoundryDownload Syphon Fonts Family From Indian Type Foundry



Syphon is a family of sans serif fonts designed in the neo-grotesk style. It also includes a little kick, separating it from other typefaces in that genre: its diagonal letters feature stark contrast. The diagonals that are typically written with thin strokes in classic serif typefaces maintain thin strokes in Syphon as well, even in the family’s lightest weights. Speaking of weight, Syphon features ten font styles spread across five weights; these range from Thin through Bold. Every weight has both an upright font and an italic on offer. The italic fonts in Syphon are designed in the ‘oblique’ style. The fonts feature a tall x-height. Ascenders rise slightly above the tops of the capital letters, and the the numerals are slightly shorter than the uppercase letters’ height. Lines of text in Syphon can be set tightly and compactly; the uppercase includes no descending elements – both the ‘J’ and ‘Q’ keep all of their strokes between the baseline and the cap-height. Syphon is an excellent selection for use in branding and corporate design. The fonts were developed by Easha Ranade at the Indian Type Foundry in Ahmedabad/India.




Download Syphon Fonts Family From Indian Type FoundryDownload NowView Gallery


Popular posts from this blog

Download TT Marxiana Fonts Family From TypeType

Download Now Server 1 Download Now Server 3 Download Now Server 2 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set

Download Hawkes Fonts Family From Kimmy Design

Download Hawkes Fonts Family From Kimmy Design Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small cap

Download Stadtmitte Fonts Family From Letritas

Download Now Server 1 Download Now Server 3 Download Now Server 2 Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm. By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage. Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights. T