Download Okta Neue Fonts Family From Groteskly Yours

Okta Neue is an extended version of Okta family, released on MyFonts in 2019. It inherits the best traits of Okta—great legibility, simple geometric letters shapes, low contrast across all styles—but also introduces what Okta fell short of: extensive language support and enhanced OpenType features. Working on Okta Neue, we strove to create a neutral typeface that would be a workhorse for designers, typographers and other font users alike. Building onto the familiar shapes of Okta, we tried to make them more neutral, at the same time preserving the unique character of the typeface. Certain characters remained the same, others have undergone a complete transformation, which left them better tailored for the wide implementation range of Okta Neue. The size of the character set in Okta Neue almost doubled compared with the original (1293 vs. 600) due to amplification of Extended Latin set and introduction of new alphabets: Extended Cyrillic, Greek (Basic and Polytonic) and Hebrew. The Cyrillic set also includes localized forms for such languages as Bulgarian, Serbian and many others. Okta Neue is super OpenType friendly: it knows how to do alternatives, contextual alternatives, switch various between stylistic sets and adjust the height of punctuation and symbols as you type. Okta Neue is equipped with various styles of numerals—from standard Proportional Lining figures to Oldstyle, Sub- and Superscript, Fractions and two sets of circled numbers (.ss10 and .ss11). Okta Neue is well-kerned with more than 2000 kerning pairs. Okta Neue comes in 22 styles (11 uprights and 11 italics), two of which—Ultra Light and Black Italic—can be downloaded free of charge to get a firsthand experience of what Okta Neue is ready to offer.

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Download TT Marxiana Fonts Family From TypeType

Download Now Server 1 Download Now Server 3 Download Now Server 2 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set

Download Hawkes Fonts Family From Kimmy Design

Download Hawkes Fonts Family From Kimmy Design Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small cap

Download Stadtmitte Fonts Family From Letritas

Download Now Server 1 Download Now Server 3 Download Now Server 2 Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm. By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage. Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights. T

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