Folito is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Folito was inspired by Modernism and Industrial-Era graphic and typographic design. The family has five weights on offer, ranging from Light to Black. It is an excellent choice for use in branding, editorial, and poster design. Folito’s lowercase ‘a’ and ‘g’ are double-storied; however, single-storied alternates are available, through an OpenType feature. The fonts’ other OpenType features include 10 ligatures per font, as well as alternate versions of the ‘G’ and ’t’. The default numeral style in each of the fonts is proportional lining figures; three other styles of numbers are included, too. There are tabular lining figures, as well as numerators and denominators for typesetting fractions. The fonts’ lining figures have the same height as the uppercase letters. The lowercase’s ascenders are drawn to be slightly taller than the common height of the capital letters and numerals. Each Folito font contains ten directional-arrow glyphs, as well as six glyphs of circles, squares, and triangles. There is also a peace sign in the character set, a smiling-face emoji, a check mark, and two versions of the numbers one through nine, each enclosed inside of differently-filled circles. Folito is the work of Deni Anggara, an Indonesian designer based in Medan.
Download Now Server 1 Download Now Server 3 Download Now Server 2 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set